NaNoWriMo: Writing Progress Doesn’t Have To Be Linear

I decided that I would do NaNoWriMo this year. I managed to write fourteen novels without it, but I was kind of stuck in a non-fiction rut and wanted to break out of it and write the next cozy. Those all come in around 42K so a new one seemed like the perfect project to target for the month.

(So far all I’ve seen from officially signing up for NaNo is requests to buy things or donate money, so it’s a good thing I did it more for the mental reminder than anything else.)

I thought I’d share my progress for the first four days just to show that you don’t have to hit the exact same word count goal every day to stay on track with something like this.

I had an early draft that I’d started probably this time last year that had about 10K words in it already, but it needed a new pass because the story had evolved in my head in the interim and I knew there wasn’t the right balance between the mystery part and the personal life part.

(At this point the cozies are 60% actual mystery and 40% hanging out with a cute dog and all of the main character’s friends and family and seeing how everyone’s lives are going to change this time around. I figure if readers stuck with me for the first seven books they’re on board with that.)

So.

Day 1: Added 2,308 new words and ended up with about 5,200 words that were reviewed and ready to be part of the new draft. Time spent: 2.5 hours

Day 2: Added 774 new words and ended up with about 7,500 words. Time spent: 50 minutes

Day 3: Added only 60 words but cycled back through the first 7 chapters for a light edit. Time spent: 1 hr 20 minutes

Day 4: Added 2,459 words and ended up with about 11,000 words total. Time spent: 1 hr 45 minutes

I’m averaging about 1,400 new words a day but you can see how chunky it is.

This is pretty standard for my writing process. I have days like yesterday where lots of new words are added all at once and I have days like Wednesday where it’s almost entirely an editing pass to smooth things out.

Also keep in mind that adding 60 words may involve deleting 120 and adding 180. I just track my net difference each day.

So there you have it. For anyone who is new to writing and questioning your progress and worried that you have to average X words per day or it somehow doesn’t count, don’t. The key is making forward progress. Sometimes that involves playing solitaire or walking the dog while you think about the story, sometimes it involves feverishly drafting new words, and sometimes it involves going back through what you have and tightening it up a bit so you can move forward.

It’s all writing.

Time for NaNoWriMo

I have never in fact participated in NaNoWriMo because I’m not motivated by prizes, competing with others, joining groups, or by someone cheering me on. My motivation is simply to get shit done. (Which is why I have 105 perfect tournament crowns from Microsoft Solitaire tournaments so far this year. Someone send help. I need an intervention.)

This year, though, I’ll be doing what NaNo requires and in the month of November, which is writing the first draft of a short novel in the space of a month.

BTW, for a good general post on Nano and writing check out Chuck Wendig’s NaNo post for 2019.

In preparation for starting this next novel (otherwise known as the procrastination stage), I’ve been doing some thinking.

This will be my 12th novel. And the fifth in this particular series. And I gotta tell ya, I think I’m just now reaching the “you know that you don’t know it” level of writing. After eleven completed novels.

Stop and think about that for a second. How many hours of doing this thing have I put in so far and I’m just now starting to see glimmers of what all is required to make it work well.

Now, don’t get me wrong. I think my earlier novels are good and enjoyable reads and, for the most part, the reviews back me up on that. People don’t always like what I choose to write about but they generally read to the end before telling the world about it.

But the issue I’m finally becoming concerned with is this: the consistency of the reader experience. Not just writing one good novel or one good series, but writing novels and series that consistently meet the needs of a particular group of readers.

To be really good at this you have to hit enough of the right buttons each and every time so that your particular group of readers walks away satisfied and comes back for more the next time you publish. That is not easy.

It is in fact exponentially harder than writing a single novel. And if you don’t do it well, you end up building on a shaky foundation. A reader thinks, “Well, that book was alright, I guess, so maybe I’ll read another one by them.” That is not the type of readership you want.

Because that kind of reader is the type of reader you will eventually lose if you continue on the way you are. In a hot genre with readers desperate for new material this could take some time. You could probably have a successful series or even two, but it will eventually catch up to you.

So it isn’t about writing a good novel. At least not long-term. It’s about creating a good reader experience across all of your books. And that is much, much harder to do.

And with that cheerful thought, I guess I’m off to “win” my own little NaNo.

It’s Okay If You’re Not There Yet

We’re about at the end of Nano and some will celebrating their victory of “winning” Nano, while others will be kicking themselves for failing to hit those 55,000 words. And even those who won nano will soon realize (one hopes) that putting those initial words on the page are just step one of a long process. (I think it took me nine drafts to finalize my first novel and the second draft was almost a complete rewrite.)

It’s easy to look around and see what others are doing and think you don’t have what it takes. Or to get defeated when things aren’t happening fast enough. And it’s normal. The key is to keep going. If you keep going AND keep striving, you will improve. You will get better. It will get easier and you will start to see little glimmers of success that pull you forward.

Let me share a little of my own journey on this one.

Often times in the indie world there’s a lot of “oh, well, obviously your problem is…” talk. Covers is one of the top targets of these kind of comments. Those who’ve been around a while can look at a cover and think “NO! That won’t work at all.” But for a newbie, that skill just isn’t there yet.

I had to buy a new computer last week because this current one has developed the habit of just turning itself off, and I figured before I transferred my files I would go through my GIMP files and delete all the many drafts that had led to each of my covers. (I’ll sometimes go through twenty iterations of a cover before I’m satisfied.) What this made me do is look at some of my oldest covers.

And, oh man, were they bad. The initial covers on Douchebag were hideous. I’d done enough research to figure out the basic color scheme for men’s dating books (black, white, red, yellow), but what I then did with those colors? Holy cannoli. Bad.  Bad, bad, bad.

But I didn’t know. I put ’em out there without hesitation. And, surprisingly, a few copies sold. Why, when the covers were that bad, I will never know. Trust me, they were BAD.

But I learned and I experimented and I swapped out the covers more than once and I slowly improved. Is the cover perfect now? No. But it gets the job done. And maybe someday I pay someone who does this for a living to put a really flashy cover on it.

(Doubtful. This class I’m taking now has taught me that I have far more interest in the writing of things than in the marketing of things and that I may always be one of those folks who spend far more time on creating a product or thinking about how it all works than on trying to find my audience.)

Anyway. Back to the point. I didn’t know back then what I didn’t know. And I could’ve had millions of dollars to spend and still not done it “right”, because there was a lot I needed to learn. (Still is, but I think I’m further along now than I was then.)

This is a journey. With a lot of steps. And some of us are starting out in Australia with ten bucks in our pocket, trying to make it all the way to London, or in Idaho trying to make it to Russia.

It’s okay if it takes a while. It’s okay if you go off course for a bit. The key is to keep going and keep improving. And if someday your old covers or your old stories make you cringe? That’s okay, too. It just means you’ve learned enough to see the flaws in your early work.

So chin up and keep moving.

 

Black Friday Sale

The “holiday” season has started. I made the mistake of stepping on a scale this morning and learning that I gained 2.5 pounds yesterday. Suffice it to say, I enjoyed Thanksgiving here in America. (Although I actually had a steak and chocolate torte instead of ye old standby of turkey and pumpkin pie. That’s because I made myself a ten-pound turkey on Friday along with a pumpkin pie, so I’d sort of had my fill of the traditional goodies by now.)

Anyway.

Getting to the point.

Excel for Beginners is part of Kobo’s Black Friday sale this weekend, so you can get it for 99 cents instead of $4.99. If that doesn’t interest you, there are a ton of other books that are part of the sale:

Halfway Through Nano

So it’s November 15th. Which means we’re halfway through Nano. I have never actually done Nano myself. It’s not something that would work for me. (Although I have written 20,000 words or so so far this month so may actually hit the Nano goal. But when you self-publish, most months are Nano-style months. Or at least you wish they were.)

And I suspect at this point that there are some folks out there that have maybe decided that Nano isn’t for them either. If you’re one of those people, that’s OKAY. One of the joys and frustrations of being a writer is that there’s no clear path that we all need to follow. It’s like a million streams rolling down a hill, each one taking it’s own unique approach. So Nano didn’t do it for you? That’s fine. Just keep writing when you can and at your own pace.

I’m taking a great class right now called Write Better Faster (https://www.margielawson.com/lawson-writers-academy-courses) that delves into how different personality types approach writing and how they encounter different issues with their writing because of it. Today’s lecture reminded me why one of my best writer-friends routinely does all her writing in a bar and why I have to do my writing in a dedicated home office. And why I would probably be miserable trying to write in a bar and she’d be miserable writing at home.

We’re all different. So if one approach isn’t working for you, don’t beat yourself up or think that means you can’t do this. It just means you need to take a different approach– one that works for you. Along those lines, Patricia C. Wrede had a great post up today: Pavement Conditions. As someone who cusses out the California drivers every year the first snow falls in Colorado and who grew up in the mountains, I found her analogy here very apt.

You have to know where you are and what will work under those conditions. And realize that sometimes what worked before isn’t going to work now. The key is to just keep trying and moving forward.

(And if you find that you’re sort of kind of done with Nano at this point but still committed to writing, might I suggest you take a look at the NaNoWriMo StoryBundle. There may just be a book in there that speaks to you…)

Time to NaNo

And I have to say that Patricia C. Wrede’s post for the day, Looking for Perfection, is a must-read for any writer really, but especially anyone doing NaNo who isn’t quite sure of the ground under their feet.

Remember, with writing, there are no wasted words or bad directions, there’s just learning what works and what doesn’t and constantly improving one little step at a time.

(And, since it is the start of NaNo and you just knew I had to do it, a little reminder that the NaNoWriMo StoryBundle is still available and full of lots of wonderful writerly advice, some that will work for you and some that might not, but all of it worth considering.)

It’s Friday…

Which means I should say something about AMS. And I will in a minute.

First, Dave Higgins has a poll up on his website about which books from the NaNo bundle he should review. So if you are tempted by one of the titles in the bundle but not quite sure it’ll be what you’re looking for, get over there and vote. (You should also take a look around and read his other posts while you’re there.)

Also, when I was over there grabbing the link to the poll, I noticed he’d already reviewed my Excel guides. Reviews are here. I’d had someone ask about whether the books could be used with programs other than Excel and I couldn’t honestly answer them because I haven’t used other programs enough to judge that, but here’s Dave’s comment on it:

“Humphrey includes sufficient explanation of the intent behind a step that authors are likely to be able to reproduce the reports in other office suites (such as Open Office or Libre Office) [with] a little extra effort.”

I’d also had someone voice concern about their level of Excel ability since the introduction says you should be familiar with Excel to use the guides.  And here’s Dave’s comment on that aspect of things:

“…both books also include both a clear definition of terms and extensive appendices of methods and commands, and provide instructions for each report in fine detail, so authors with even basic experience of any Excel are likely to find each report easy enough to recreate.”

So there you have it. Keep an eye on his blog for perhaps more reviews over the next six weeks.

Alright, so AMS. As I’ve said before, they’re a bit of a moving target. They were wonderful for my romance novel for four months, but then ads on that book just sort of died off for me. It’s hard to say why. I think part of it was I tried lowering my bids because it just made me uncomfortable to spend $800 to make $1000. I know, the rational part of my brain says if that’s what’s happening, then find a way to spend $1600 to make $2000. But I’m just not sure when I’ll go back to that pen name, so I didn’t think it made sense to push too hard to attract all those readers when I only had one other title for them to go to.

Which is maybe the thought for the day which isn’t AMS-specific: In a weird sense you are better off the later in your writing journey you attract readers. Because they’re that much more likely to read the rest of your books. If you have one book out and it takes you a year to get book two out, every reader you attract to book one during that time has to like you enough to come back in a year.

And maybe they will. I’ve certainly circled back to writers (or musicians) years later to see what else they had out now. But they won’t all wait for you. So all that ad money you spent to get that reader to your first book ends up being wasted, whereas it would’ve been really profitable to bring in that same reader when you had four or five books available.

I constantly struggle with this.I don’t want to have low sales. It’s demoralizing to think no one wants what you’ve written. But at the same time, none of my pen names (except maybe now M.L. Humphrey) have enough titles out to really justify pushing hard to get in readers. I’m pushing on the Rider’s series now because the trilogy is complete, but even there I should be waiting until I have at least one more trilogy out and possibly two. That’s the difference between breaking even on a promo and making two to three times the promo cost.

That’s one of the reasons I like AMS ads. They let you get in a little trickle of sales that makes you feel good about where you are, but it isn’t like cranking out a Bookbub and generating 400+ sales in a day. (Although I still want them to burn a little hotter than they do most days, because I’m a fool and I like to make money.)

Anyway. That’s where my thoughts are today. I’ll tell you what I’m telling myself: Write more and publish more. The rest will follow.

(And sorry for anyone who saw this post while the formatting was messed up. Block quotes were not my friend today.)

Some Great Writerly Advice

First, yesterday Chuck Wendig posted An Oubliette of Unconventional Writing Advice. Read it. It’s excellent. I particularly agree about the critique group point. His example is Tolkien (who is too slow for me as well), but my example is Nora Roberts. If I were in a critique group with her I’d tell her to stay with one point of view per scene and not to randomly move to another point of view for a paragraph just because she wants to.

But you know what? Nora Roberts has done just fine for herself without advice she would’ve received in probably 99% of critique groups. I’ve come to the conclusion over the years that what readers went is a good story that resonates with them emotionally and that as long as your writing stays out of the way of telling that story, you can do pretty much anything.

Sure, writers who are also readers may hate you and cite you as an example of horrible writing, but the standard reader like my mom won’t even notice.

Second, Joanna Penn has gone through some of the books in the NaNo bundle and pulled out a few gems in her post on how to win Nano. Definitely worth taking a look.

And speaking of Joanna Penn…

One of the perks of being in the StoryBundle is that I get all of the books for free. And the first one I decided to read was Joanna’s How To Make A Living With Your Writing. The first part is a good solid overview of your publishing options when it comes to books, but it was the second half of the book that had me thinking.  The second half covers other ways to make money with your writing, like affiliate income and providing courses.

I’ve been toying for about a year with the idea of putting the information covered in the Excel books either up on YouTube or as course offerings through a site like Udemy, and I think her book has pushed me to decide it’s time to do that. (Now it’s just a matter of prioritizing it all, but don’t be surprised if you see a tab show up on this page with Excel videos at some point. I just have to figure out the best software to use for recording the videos and where it’s best to post them.)

So that advice right there would’ve paid for the bundle for me. And if I were earlier on my publishing journey the first part of the book would’ve saved me hours of research. And that’s just one of the thirteen books in there. If you haven’t already, check it out: NaNo Bundle.

Serendipity (Or How I Ended Up In That StoryBundle)

There are some things in life that you can’t plan for and my inclusion in this particular StoryBundle is one of them.

What StoryBundle you might ask?  Well this one, of course.

NaNoWriMo Writing Tools Bundle ad

(Sorry, shameless plug. It’s gonna happen a few times over the next two months, but we’ll try to keep it to a minimum.)

A little background. I’ve wanted to be in a StoryBundle for a while now. I emailed them about Rider’s Revenge when I published it and never heard a thing. I have a friend who actually curates bundles for them, but had yet to convince her to build one I could be a part of, so would jealously look askance at people who had the chance to be in one but turned it down.

It’s been on my radar for a couple years now. But I hadn’t done much more than hope and bug my friend about it on occasion.

Then this year I went to a great conference in Colorado Springs, the Superstars Writing Seminars. As part of the conference they also ask you to join their groups on Facebook. One for the whole group and one for that year’s conference.

Now, let me tell you, I’m not a big joiner. I’m a happily content loner. So it felt a little awkward to me to have to join those groups. But I did it. And I occasionally participated as questions were asked that I knew something about.

And then in August the chance came that I didn’t even know was possible. Kevin J. Anderson said he was putting together a StoryBundle of epic fantasy books and needed a couple more to round out the bundle. He needed them soon. Was anyone interested?

Yes! Me! Me! Right here. Me.

Except…

The Rider’s books were in KU at the time. And not due to roll out until early September which was past his deadline.

I’ll tell ya, I was sorely tempted to see if Amazon would notice. But I like to stay on the right side of the rules, so no bundle for me.

I was very sad.

But Kevin had mentioned that there would be other bundles in the future, so I hoped that maybe someday I’d be in one. I figured maybe next year sometime.

In the meantime, I’d done something slightly crazy, which was spend most of my summer writing non-fiction. I couldn’t figure out a direction to take my fiction writing. (Another romance novel, a standalone fantasy novel, a MG fantasy series, a YA fantasy series, an adult fantasy series…The possibilities were endless and no one story was calling to be written.) Rather than sit there and stare at my computer day after day, I had turned to non-fiction writing.

I wrote a book on CreateSpace first. I was supposed to write one on ACX next, but decided I’d knock out an Excel guide to writers real quick.

As I started to write, I realized that what I used Excel for when I was on the trade publishing path was very different from what I use it for on the self-publishing path. And that the two really don’t overlap much.

I also realized that some of my audience might not be all that familiar with Excel. Or might be familiar with the basics of Excel but not the more advanced parts of Excel like pivot tables and conditional formatting.

Suddenly that one 20K-word book that was going to take me maybe two weeks to write became four books that took me quite a bit longer to write.

The whole time I was finalizing them I was kicking myself for being a fool to write them in the first place. Sure, it was fun to do. I’m a bit of a math and spreadsheet nerd and I like to solve puzzles, which is a lot of what writing them entailed.

But I didn’t expect that they’d sell, especially the writing ones. I mean, honestly, how many people have enough of an interest in Microsoft Excel to buy a book that combines Excel and writing?

(More should–if you’re going to self-publish you should at least know pivot tables–but let’s be honest here. It was a niche, niche project I was working on.)

So there I am. Almost done with the books, telling myself this is why I am a crap self-publisher who will never make six-figures in a year. Reminding myself that if the million words I’ve self-published had all been self-published under the same name and on the same general topic or in the same general genre that I might be doing really well at this right now.  And pointing out to myself that all that analysis I do is worth nothing because I don’t put it to practical use and…

Well, you get the point. I was not happy with myself from a business perspective. (From a writing/workday perspective, I actually had a lot of fun with it, which is why I keep doing projects like this, because if I can’t enjoy the day-to-day then I should go back to consulting full-time.)

Anyway. Not happy.

And then Kevin posted to the group again. He said he was doing a NaNoWriMo bundle and needed a couple more books. (I won’t lie, it’s possible I lunged at my computer in excitement.) I offered up Writing for Beginners. It’s a nice solid book for the writer who doesn’t know anything about anything and needs somewhere to begin their writing journey.

But I also mentioned these Excel guides I’d been working on. Kevin didn’t want Writing for Beginners, but he was intrigued by the Excel guides. He asked for more info. I sent him a list of what each one covered. He said he wanted them. Have them ready the next week.

And then silence.

(I probably shouldn’t be admitting my insecurity here since a lot of people who will read this blog in the next two months may do so as part of checking out the bundle and that doesn’t make me sound very authoritative, but if you’ve read any of my non-fiction writing books you’ll know this is just what I do.)

One week stretched to two. I was trying to be patient and confident. But in the back of my mind was this little voice wondering if he’d reconsidered. Maybe he’d found better books. Maybe he’d found bigger name authors to include. Maybe…

And then I got the email with the contract.

And I signed it.

And I sent in the files.

And then silence.

And again I worried. Maybe the files I’d sent weren’t up to snuff. Maybe they’d reconsidered and were doing some last-minute rearranging to replace me.  Maybe…

Maybe I’m a paranoid freak who has too much time on my hands. It’s just that I’d wanted this sooo much and I couldn’t believe it was actually happening until it happened.

As I said yesterday, I have faith in the books I wrote. In the day job I’ve been paid very good money for what I can do in Excel and for my analysis skills in general. But at the same time, I’m a random person on the internet to most anyone who comes across those books. Across any of my books. There’s a certain level of faith involved in buying non-fiction from a stranger.

Which is why I love being part of this bundle. Because people can buy it for the names they recognize and basically get to check out my Excel guides for free at the same time.

So, for my writing friends.  How do you make something like this happen for yourself? I mean, obviously, as the post says, this was serendipity. It was a bunch of random choices that came together in a great way.

But here’s what I think are the takeaways:

One, make connections. If I hadn’t attended Superstars this year, I wouldn’t have been in that group to learn about the opportunity.

Two, put yourself out there. Kevin posted that he needed more titles for the bundle, but I had to respond and offer up my books. He might’ve turned me down. He did on the one book. But if I hadn’t posted to that thread, I would’ve been eliminating myself.  You can’t do that. (In anything in life. )

Three, have a finished product. It sucks to hear about the perfect opportunity but not be able to take advantage of it because that product you’re working on isn’t done yet.

Four, know what’s out there. One of the reasons I jumped all over this the minute it was posted was because I already knew about StoryBundle. And the reason I attended Superstars is because I’d heard about it from more than one source.

I’m lucky. I have no life. So I can write and publish and keep up on blogs and forums, too. I have friends who write and have families and jobs to juggle so don’t have that chance to keep up on the latest developments, which is hard. I think rule one has to be produce new material. But if you aren’t also monitoring the industry and what’s new, you’ll miss opportunities. (Or worse, get scammed.)

Could I have predicted this at all? No.

Do I know that it’ll be fabulous for me? No, it could be a disaster if people hate my work. (Although I’m already chuffed by the whole experience and we’re only one day in.)

Can I plan to make something like this ever happen again? No.  But it does mean I’ll probably make the effort to attend a few conferences next year that I wouldn’t have otherwise. Because you never know what little thing or new connection will be the one that sets a whole cascade of events into motion.

So there you have it. I look forward to all of you attending Superstars next year and Kevin having so many great choices to choose from on the next bundle he curates that I’m not even in the running. (Kidding on that last bit. I plan to be in the running, so bring your A game.)

The NaNoWriMo Writing Tools Bundle Is Here (And I’m In It!)

So this is the bit of news I was alluding to yesterday. My books, Excel for Writers and Excel for Self-Publishers, are both part of the 2017 Nano Storybundle. For $15 you can get both of my books as well as…

  • How to Make a Living With Your Writing by Joanna Penn
  • Hurting Your Characters by Michael J. Carlson
  • Writing as a Team Sport by Kevin J. Anderson
  • The Author’s Guide to Vellum by Chuck Heintzelman
  • Time Management by Kristine Kathryn Rusch
  • The Magic Bakery by Dean Wesley Smith
  • Business for Breakfast Vol 6: The Healthy Professional Writer by Leah Cutter
  • Q&A For Science Fiction Writers by Mike Resnick
  • The Unofficial Scrivener Workbook by Michael J. Carlson
  • Story Structure and Master Chapter Outline Workbook by C. Michael Jefferies
  • Blood From Your Own Pen by Sam Knight

Look at that list. Joanna Penn who has a brilliant podcast. Kevin J. Anderson who co-wrote the Dune series and is the mastermind behind the Superstars Writing Seminars. Kristine Kathryn Rusch whose Thursday business blog posts are a must-read.  And Dean Wesley Smith whose classes on depth and character definitely strengthened my fiction writing.

And those are just the ones that happened to be in my list of web links. I am honored and humbled to be amongst their number. (And proud enough of the Excel guides that I think they hold their own in that list.)

You’d have to pay $10 to get both of my books. For $5 more, look what else you can get. (And, of course, you can always pay more if you think that’s warranted since part of the proceeds are also going to charity.)

So, what are you waiting for? Go buy yourself some brilliant writerly wisdom while it’s cheap.

(I’ll be reading all the books myself and probably mentioning a few here on the blog during the next two months while the books are available. And I’ll also tell you how this all came about in another blog post, since that’s what would matter most to me as a self-publisher.)