Time for NaNoWriMo

I have never in fact participated in NaNoWriMo because I’m not motivated by prizes, competing with others, joining groups, or by someone cheering me on. My motivation is simply to get shit done. (Which is why I have 105 perfect tournament crowns from Microsoft Solitaire tournaments so far this year. Someone send help. I need an intervention.)

This year, though, I’ll be doing what NaNo requires and in the month of November, which is writing the first draft of a short novel in the space of a month.

BTW, for a good general post on Nano and writing check out Chuck Wendig’s NaNo post for 2019.

In preparation for starting this next novel (otherwise known as the procrastination stage), I’ve been doing some thinking.

This will be my 12th novel. And the fifth in this particular series. And I gotta tell ya, I think I’m just now reaching the “you know that you don’t know it” level of writing. After eleven completed novels.

Stop and think about that for a second. How many hours of doing this thing have I put in so far and I’m just now starting to see glimmers of what all is required to make it work well.

Now, don’t get me wrong. I think my earlier novels are good and enjoyable reads and, for the most part, the reviews back me up on that. People don’t always like what I choose to write about but they generally read to the end before telling the world about it.

But the issue I’m finally becoming concerned with is this: the consistency of the reader experience. Not just writing one good novel or one good series, but writing novels and series that consistently meet the needs of a particular group of readers.

To be really good at this you have to hit enough of the right buttons each and every time so that your particular group of readers walks away satisfied and comes back for more the next time you publish. That is not easy.

It is in fact exponentially harder than writing a single novel. And if you don’t do it well, you end up building on a shaky foundation. A reader thinks, “Well, that book was alright, I guess, so maybe I’ll read another one by them.” That is not the type of readership you want.

Because that kind of reader is the type of reader you will eventually lose if you continue on the way you are. In a hot genre with readers desperate for new material this could take some time. You could probably have a successful series or even two, but it will eventually catch up to you.

So it isn’t about writing a good novel. At least not long-term. It’s about creating a good reader experience across all of your books. And that is much, much harder to do.

And with that cheerful thought, I guess I’m off to “win” my own little NaNo.

It’s Okay If You’re Not There Yet

We’re about at the end of Nano and some will celebrating their victory of “winning” Nano, while others will be kicking themselves for failing to hit those 55,000 words. And even those who won nano will soon realize (one hopes) that putting those initial words on the page are just step one of a long process. (I think it took me nine drafts to finalize my first novel and the second draft was almost a complete rewrite.)

It’s easy to look around and see what others are doing and think you don’t have what it takes. Or to get defeated when things aren’t happening fast enough. And it’s normal. The key is to keep going. If you keep going AND keep striving, you will improve. You will get better. It will get easier and you will start to see little glimmers of success that pull you forward.

Let me share a little of my own journey on this one.

Often times in the indie world there’s a lot of “oh, well, obviously your problem is…” talk. Covers is one of the top targets of these kind of comments. Those who’ve been around a while can look at a cover and think “NO! That won’t work at all.” But for a newbie, that skill just isn’t there yet.

I had to buy a new computer last week because this current one has developed the habit of just turning itself off, and I figured before I transferred my files I would go through my GIMP files and delete all the many drafts that had led to each of my covers. (I’ll sometimes go through twenty iterations of a cover before I’m satisfied.) What this made me do is look at some of my oldest covers.

And, oh man, were they bad. The initial covers on Douchebag were hideous. I’d done enough research to figure out the basic color scheme for men’s dating books (black, white, red, yellow), but what I then did with those colors? Holy cannoli. Bad.  Bad, bad, bad.

But I didn’t know. I put ’em out there without hesitation. And, surprisingly, a few copies sold. Why, when the covers were that bad, I will never know. Trust me, they were BAD.

But I learned and I experimented and I swapped out the covers more than once and I slowly improved. Is the cover perfect now? No. But it gets the job done. And maybe someday I pay someone who does this for a living to put a really flashy cover on it.

(Doubtful. This class I’m taking now has taught me that I have far more interest in the writing of things than in the marketing of things and that I may always be one of those folks who spend far more time on creating a product or thinking about how it all works than on trying to find my audience.)

Anyway. Back to the point. I didn’t know back then what I didn’t know. And I could’ve had millions of dollars to spend and still not done it “right”, because there was a lot I needed to learn. (Still is, but I think I’m further along now than I was then.)

This is a journey. With a lot of steps. And some of us are starting out in Australia with ten bucks in our pocket, trying to make it all the way to London, or in Idaho trying to make it to Russia.

It’s okay if it takes a while. It’s okay if you go off course for a bit. The key is to keep going and keep improving. And if someday your old covers or your old stories make you cringe? That’s okay, too. It just means you’ve learned enough to see the flaws in your early work.

So chin up and keep moving.

 

Black Friday Sale

The “holiday” season has started. I made the mistake of stepping on a scale this morning and learning that I gained 2.5 pounds yesterday. Suffice it to say, I enjoyed Thanksgiving here in America. (Although I actually had a steak and chocolate torte instead of ye old standby of turkey and pumpkin pie. That’s because I made myself a ten-pound turkey on Friday along with a pumpkin pie, so I’d sort of had my fill of the traditional goodies by now.)

Anyway.

Getting to the point.

Excel for Beginners is part of Kobo’s Black Friday sale this weekend, so you can get it for 99 cents instead of $4.99. If that doesn’t interest you, there are a ton of other books that are part of the sale:

Halfway Through Nano

So it’s November 15th. Which means we’re halfway through Nano. I have never actually done Nano myself. It’s not something that would work for me. (Although I have written 20,000 words or so so far this month so may actually hit the Nano goal. But when you self-publish, most months are Nano-style months. Or at least you wish they were.)

And I suspect at this point that there are some folks out there that have maybe decided that Nano isn’t for them either. If you’re one of those people, that’s OKAY. One of the joys and frustrations of being a writer is that there’s no clear path that we all need to follow. It’s like a million streams rolling down a hill, each one taking it’s own unique approach. So Nano didn’t do it for you? That’s fine. Just keep writing when you can and at your own pace.

I’m taking a great class right now called Write Better Faster (https://www.margielawson.com/lawson-writers-academy-courses) that delves into how different personality types approach writing and how they encounter different issues with their writing because of it. Today’s lecture reminded me why one of my best writer-friends routinely does all her writing in a bar and why I have to do my writing in a dedicated home office. And why I would probably be miserable trying to write in a bar and she’d be miserable writing at home.

We’re all different. So if one approach isn’t working for you, don’t beat yourself up or think that means you can’t do this. It just means you need to take a different approach– one that works for you. Along those lines, Patricia C. Wrede had a great post up today: Pavement Conditions. As someone who cusses out the California drivers every year the first snow falls in Colorado and who grew up in the mountains, I found her analogy here very apt.

You have to know where you are and what will work under those conditions. And realize that sometimes what worked before isn’t going to work now. The key is to just keep trying and moving forward.

(And if you find that you’re sort of kind of done with Nano at this point but still committed to writing, might I suggest you take a look at the NaNoWriMo StoryBundle. There may just be a book in there that speaks to you…)

Time to NaNo

And I have to say that Patricia C. Wrede’s post for the day, Looking for Perfection, is a must-read for any writer really, but especially anyone doing NaNo who isn’t quite sure of the ground under their feet.

Remember, with writing, there are no wasted words or bad directions, there’s just learning what works and what doesn’t and constantly improving one little step at a time.

(And, since it is the start of NaNo and you just knew I had to do it, a little reminder that the NaNoWriMo StoryBundle is still available and full of lots of wonderful writerly advice, some that will work for you and some that might not, but all of it worth considering.)

It’s Friday…

Which means I should say something about AMS. And I will in a minute.

First, Dave Higgins has a poll up on his website about which books from the NaNo bundle he should review. So if you are tempted by one of the titles in the bundle but not quite sure it’ll be what you’re looking for, get over there and vote. (You should also take a look around and read his other posts while you’re there.)

Also, when I was over there grabbing the link to the poll, I noticed he’d already reviewed my Excel guides. Reviews are here. I’d had someone ask about whether the books could be used with programs other than Excel and I couldn’t honestly answer them because I haven’t used other programs enough to judge that, but here’s Dave’s comment on it:

“Humphrey includes sufficient explanation of the intent behind a step that authors are likely to be able to reproduce the reports in other office suites (such as Open Office or Libre Office) [with] a little extra effort.”

I’d also had someone voice concern about their level of Excel ability since the introduction says you should be familiar with Excel to use the guides.  And here’s Dave’s comment on that aspect of things:

“…both books also include both a clear definition of terms and extensive appendices of methods and commands, and provide instructions for each report in fine detail, so authors with even basic experience of any Excel are likely to find each report easy enough to recreate.”

So there you have it. Keep an eye on his blog for perhaps more reviews over the next six weeks.

Alright, so AMS. As I’ve said before, they’re a bit of a moving target. They were wonderful for my romance novel for four months, but then ads on that book just sort of died off for me. It’s hard to say why. I think part of it was I tried lowering my bids because it just made me uncomfortable to spend $800 to make $1000. I know, the rational part of my brain says if that’s what’s happening, then find a way to spend $1600 to make $2000. But I’m just not sure when I’ll go back to that pen name, so I didn’t think it made sense to push too hard to attract all those readers when I only had one other title for them to go to.

Which is maybe the thought for the day which isn’t AMS-specific: In a weird sense you are better off the later in your writing journey you attract readers. Because they’re that much more likely to read the rest of your books. If you have one book out and it takes you a year to get book two out, every reader you attract to book one during that time has to like you enough to come back in a year.

And maybe they will. I’ve certainly circled back to writers (or musicians) years later to see what else they had out now. But they won’t all wait for you. So all that ad money you spent to get that reader to your first book ends up being wasted, whereas it would’ve been really profitable to bring in that same reader when you had four or five books available.

I constantly struggle with this.I don’t want to have low sales. It’s demoralizing to think no one wants what you’ve written. But at the same time, none of my pen names (except maybe now M.L. Humphrey) have enough titles out to really justify pushing hard to get in readers. I’m pushing on the Rider’s series now because the trilogy is complete, but even there I should be waiting until I have at least one more trilogy out and possibly two. That’s the difference between breaking even on a promo and making two to three times the promo cost.

That’s one of the reasons I like AMS ads. They let you get in a little trickle of sales that makes you feel good about where you are, but it isn’t like cranking out a Bookbub and generating 400+ sales in a day. (Although I still want them to burn a little hotter than they do most days, because I’m a fool and I like to make money.)

Anyway. That’s where my thoughts are today. I’ll tell you what I’m telling myself: Write more and publish more. The rest will follow.

(And sorry for anyone who saw this post while the formatting was messed up. Block quotes were not my friend today.)

Some Great Writerly Advice

First, yesterday Chuck Wendig posted An Oubliette of Unconventional Writing Advice. Read it. It’s excellent. I particularly agree about the critique group point. His example is Tolkien (who is too slow for me as well), but my example is Nora Roberts. If I were in a critique group with her I’d tell her to stay with one point of view per scene and not to randomly move to another point of view for a paragraph just because she wants to.

But you know what? Nora Roberts has done just fine for herself without advice she would’ve received in probably 99% of critique groups. I’ve come to the conclusion over the years that what readers went is a good story that resonates with them emotionally and that as long as your writing stays out of the way of telling that story, you can do pretty much anything.

Sure, writers who are also readers may hate you and cite you as an example of horrible writing, but the standard reader like my mom won’t even notice.

Second, Joanna Penn has gone through some of the books in the NaNo bundle and pulled out a few gems in her post on how to win Nano. Definitely worth taking a look.

And speaking of Joanna Penn…

One of the perks of being in the StoryBundle is that I get all of the books for free. And the first one I decided to read was Joanna’s How To Make A Living With Your Writing. The first part is a good solid overview of your publishing options when it comes to books, but it was the second half of the book that had me thinking.  The second half covers other ways to make money with your writing, like affiliate income and providing courses.

I’ve been toying for about a year with the idea of putting the information covered in the Excel books either up on YouTube or as course offerings through a site like Udemy, and I think her book has pushed me to decide it’s time to do that. (Now it’s just a matter of prioritizing it all, but don’t be surprised if you see a tab show up on this page with Excel videos at some point. I just have to figure out the best software to use for recording the videos and where it’s best to post them.)

So that advice right there would’ve paid for the bundle for me. And if I were earlier on my publishing journey the first part of the book would’ve saved me hours of research. And that’s just one of the thirteen books in there. If you haven’t already, check it out: NaNo Bundle.