For any of the writers/publishers who follow this blog I imagine that my focus on other issues recently has been a bit disappointing, so let me see if I can share some writing and publishing thoughts that may be of help to someone else.
I spent the last month(?) updating my print book covers as well as my interior files that had screenshots. It was one of those situations of you don’t know what you don’t know and when you figure out what you didn’t know feeling compelled to fix it. In this case there were at least four different issues I needed to figure out and the cover and interior issues were not the same ones.
Of course, knowing it in the first place would’ve saved a lot of effort, but that’s the journey of self-publishing. You try your best, you learn that your best isn’t the best possible, you level-up, try your best again, learn that it still isn’t the best possible, and so on and so on forever. And most of what you realize wasn’t the best is stuff that the average person on the street won’t even have noticed or if they did notice won’t have been able to actually describe to you.
For me personally there was a month there where I saw a big dip in sales/revenues because of Amazon and how they chose to handle print books. That seems to have resolved itself although IngramSpark is now reporting printing delays of up to two weeks. And turns out with IS if there’s a pending print order for a book of yours you can’t update it, which is annoying since I submitted updated files for each series at the same time but some books are through and approved with new files and others still are not after almost two weeks. But what are you gonna do? Old processes, new situations, they don’t always work well together.
In the world of AMS ads, I’m pretty pleased. I can’t check AMS spend from a year ago but I’d say that I’m probably spending less on ads right now than I was then but getting a better return on them. Also I think cost per click is down for me from a year ago. Keep in mind that’s very much dependent on what you’re advertising so that may not be true in genres like romance. But it seems to me there was a lot of stupid money in the ads last year that has since gone elsewhere. (Probably Bookbub ads or it seems a lot of folks have circled back to FB ads if public comments are any indicator.)
I have two ads that have generated more than $20K each in sales, so I’m still a big proponent of getting a good ad going and then keeping it alive as long as I possibly can.
David Gaughran posted on his blog recently that there’s now a portal for Apple for uploading books via a PC so you no longer need a Mac to go direct. I used the portal today to update three books and it looks like it worked. No idea why Apple didn’t tell anyone about it yet, but that’s how it goes it seems. Nice thing is that it makes it clear you have to provide your cover with each update even if it’s not changing which I didn’t realize the first time I updated an interior file on Apple.
The last page of the update process acts a little weird if you didn’t have an ISBN, but clicking on the help icon for that field seemed to address the issue for me. And there was no clear easy way to update a second book without going through the whole navigation process again but I assume they’ll smooth out the bugs over time. It was nice to not have to go break out the Mac just to upload those files. (I still need it for Vellum, though.)
A friend in another group recently mentioned the power of backlist. They have a pen name they abandoned years ago that still makes a few hundred a month for them. And I think it’s important to remember that a new reader doesn’t really care when a book was written (unless it’s dated somehow). All they care is that it’s a good read. So don’t give up on old titles just because they’re older.
Having said that I’m definitely an unpublisher. Sometimes it’s because information becomes outdated (for non-fiction) and sometimes it’s because those stories aren’t a good fit for who I am as a writer now. And sometimes it’s just because I want to reclaim the mental space I was giving to that title.
But if you still like a story and still think it will appeal to readers then give it another chance. New covers, new blurb, some ads. I definitely have titles that made more money in their third or fourth year of publication than their first. Often publishing more under a name helps tremendously. You have a new title boost and if you’ve learned better packaging and marketing that can flow back to the first title.
What else? I think the current situation is probably stressing different people in different ways and I’ve seen a lot of talk about how it’s harder to be creative right now than before. I suspect Strengths play into this so that’s not true for everyone. And maybe where you fall on DISC as well.
For me I’ve been working more hours than usual but what I’ve been doing is very rote as opposed to creative. I just finished recreating probably 600+ screenshots and putting them into documents. But since I’d already worked out what those should look like it was moderately mindless work. Detail work, but not in the same way as writing something new.
So if you’re stuck right now, finding tasks like that might help. I had other ideas on my to-do list like checking all of my pricing and streamlining it. With currency exchange rates changing over time my Canadian and Australian prices were out of whack. I like to at least be consistent across a series if nothing else. (And pay attention to the suggested prices from Amazon because those are way off in a few of the listed currencies.)
Or you could spend time checking your book categories. Your blurbs. Your links on your website. The paragraph spacing of your book descriptions on each site. (Paperback on Amazon is a notorious issue. HTML tags are a must.) Basically just all that housekeeping that needs to happen. I’ve let my ad spend tracking fall by the wayside and need to enter all of that. Submit for a Bookbub feature deal or a Kobo promo. Run a few list-based promos. Finally figure out how to list direct on some sites rather than through a distributor. Etc. etc.
I don’t think this whole situation is going away anytime soon. Even if you’re in a country that has it relatively under control if you’re a writer/publisher then the U.S. is probably a big part of your sales and we’re going to be dealing with this for I’d say at least the next year. In terms of ebooks and audio things are probably pretty good although I wouldn’t be surprised by slower response times if you have an issue and perhaps more publishign delays. If you sell heavily in print I’d expect further disruptions due to staffing and supply. And if you’re POD perhaps more quality issues. (My last batch of books from IS that I ordered to check the cover changes clearly showed someone wasn’t being as careful about things as normal.)
All we can do is continue on as best as possible and adjust as needed. As always.