I tend to ignore the conversations where people discuss what’s required to self-publish a book. A few years back someone who’d done very well with self-publishing who I know and like posted a list of everything a new self-publisher should take care of before they publish and I remember staring at that list in horror and thinking I’d never have self-published if I’d thought it required all of that.
I always figure it comes down to a difference in philosophy. I long ago accepted that I will never be perfect and that the level of effort to reach perfection far outweighs any benefit I’ll receive from it. In school being perfect would’ve meant I couldn’t take all the courses I wanted to, play the sports I loved, and do the extracurriculars I enjoyed all at the same time. It seemed oddly limiting to me to spend all that time on one thing so I could get an A+ or up my shooting percentage in basketball when I could get an A- and still start varsity with a lot less effort.
I also long ago learned that arguing with the perfectionists is exhausting and a waste of my time and energy. And in self-pub especially where everyone thinks they can see and judge your performance it’s an even more obnoxious experience. Because, since of course I’m not perfect, if I say, “you can do it for free” then someone will call out my writing or my covers or my blurbs or my book rank.
But here’s the thing: You can do it for free. Or at least close to it. It just takes time.
I’ve published two books so far this year. One non-fiction title in an area of expertise I have. One cozy mystery.
I used GIMP (a free software) to create the covers myself. Will they win awards? No. Do they achieve their purpose? I like to think so.
The non-fiction cover had one stock image, the cozy cover had three. I’m still working through a DepositPhotos package I bought that came with something like 100 images for $50. So, let’s say one cover cost me 50 cents. The other cost me $1.50. And time. It maybe took me an hour, probably less, to create each cover.
(Keep in mind at this point I’ve created well over a hundred covers in GIMP. Probably more than triple that if we start counting paperback covers as separate.)
I also self-edit.
Yes, that means that there are people out there who will read one of my stories and tell me it could’ve been better. But every story can always be better. Every single one ever published. And no story will appeal to all readers. Ever. But the stories I publish are me. They are consistently mine. People may not like what my characters do or what they value or the level of action/emotion/exposition/etc. in my novels, but for those who do like my worldview they know they’ll get a novel that delivers what they like.
I did have three subject matter experts read the non-fiction title to make sure I wasn’t saying anything dramatically controversial but at the end of the day that was my take on a field where I have twenty years of expertise. It was delivered in my voice and with my opinions based on my experience.
And, sure, maybe I could pay a few hundred dollars and have someone find five extra typos, but I don’t think it’s worth the expense. It’s certainly not worth it on the fiction side to find someone who may not know any more about writing than I do to tell me what they think is wrong with my story.
I format my own files as well.
Nowadays I use Vellum for ebooks and for fiction print books. But before I purchased Vellum a well-formatted Word file worked just fine. (Styles are your friend.) I still use Word to format my non-fiction print books using the free template from Amazon. I’m not trying to deliver the most beautifully formatted book out there. I’m just trying to deliver my words in a way that lets the reader absorb them easily and without distraction.
I also upload the files myself.
And write my own blurbs.
(Again, my blurbs may not be the best blurbs that could possibly be written for each book, but they’re mine so they fit perfectly with what someone will actually get when they buy the book.)
Because of all of that I was able to write, prepare, and publish two books for $2.
And my time.
The reason you might pay someone to do these things for you instead is because there’s a learning curve. My first-ever cover was absolutely horrid. I did not know how bad it was. I thought I’d done a good job with it.
But that’s the beauty of self-publishing. A cover can be changed out in a day. It will only live on on Goodreads if you were unfortunate enough for it to make it there. (Which for that book I was not.)
As a new writer I had that time. And really, honestly, if I’d paid for those services back then I would’ve been throwing my money away because I didn’t know enough to judge what I was paying for.
I have no doubt there are “formatters” out there right now charging a couple hundred bucks to run a file through Vellum because there are authors out there who don’t know better and will pay them for that.
Now, of course, in any discussion about this someone will inevitably come along and argue that six-figure authors don’t do it all themselves and give that as proof for why new authors should pay for all of this, too.
But that’s a fallacy.
Because the decision a six-figure author is making is very different from the decision a new author is making.
My most successful title has made me a profit of $725 per hour it took to write. If I knew that every title I wrote would be that successful then I’d be a fool to do everything myself.
Better at that point to pay someone $250 for a cover than spend an hour (which is worth $725) creating my own.
This is why a number of the very successful authors I know pay for editors. Not because they can’t do it well enough themselves, but because that time they’d spend on editing can be better spent writing the next book. They can publish a couple more books a year by using an editor.
They have the ideas and the audience for that to make sense.
But for a new writer? It doesn’t.
The sad truth is that for most new writers that first book will not be a resounding success no matter how much money you spend on it. You can get the best edits, the most beautiful formatting, the perfect cover. You can even spend on blog tours and hire a publicist (which, really, honestly does not make sense for 99% of self-publishers). And you can put thousands into ads and develop a launch strategy and all of that.
But at the end of the day that book will still not sell.
Because most first efforts are simply not that good.
And what they generally do have going for them are the things that extensive inappropriate editing can destroy. (Voice, a unique perspective, etc.)
So remember: You really can publish for free. And if you’re new, that may really be the best choice to make.
Take the time, learn how it’s done. Get that first title out there. See what happens. Rinse. Repeat.
(And if that title does have legs, if you’re one of the rare early successes, then use your profits to buy a prettier cover or some paid ads. Just be sure you know by then what will work for the type of book you published.)
One thought on “What Does It Cost to Self-Publish A Book”
Excellent points you’ve made here! I think most people who criticize the DIY approach are actually trying to find ways to justify their own lack of motivation. After all, it’s much easier to say “you’re doing it the wrong way” than to admit “I don’t have what it takes to even attempt it.”
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