Finding a Way Forward

One of the most challenging things in this business is trying to figure out what to do next. And it’s something that happens to authors at all levels. There is no point in time where an author becomes immune to those questions.

Unless they’re number 1 in all the stores all the time. Maybe then it’s not an issue. But even then I think that author would wonder or doubt or question. “Do I keep writing what got me here? How long will I stay here if I do? What if I don’t enjoy it anymore? What if the readers don’t enjoy it anymore? What if I’m out of ideas?”

And when you’re not where you want to be, it becomes even trickier. You wonder, have I just not given it enough time? Or am I making a mistake here? Am I writing the wrong thing? Or do I need to improve my craft?

Back when I started publishing, the common advice for fiction writers was that it took three books for a series to take off. Some might take off before then but there were many, many authors saying that they suddenly saw a jump in sales at book three. So often authors were told to just keep writing until they had those three books out and then think about what to do next.

I’ve even seen the advice to not even try to advertise until those three books are out. (Advice I hate. If you’re going to do that, then hold all three books back and publish them close together.)

The last year or so that advice has shifted so that now people say that it takes four or five books in a series to take off.

But…

The problem is sometimes you’re not actually hitting reader expectations and so no amount of books are going to get you there.

If you’re headed in the wrong direction, continuing down that path just makes it worse. Especially when writing in a series because most times the next book will sell less copies than the one before. (Unless the whole series suddenly takes off a la JK Rowling.)

The problem with the “wait three books or four or five” advice is that authors don’t stop to question the presentation or quality of their books when they really should.

A while ago on one of the author forums I saw an author tell another author something along the lines of, “I’m so glad to see how successful you are because it lets me know that if I keep going with this, I’ll be successful, too.”

But I looked at that author’s reviews because I was going to make a marketing suggestion to them (apply for a Bookbub because they had gorgeous covers) and I realized that in their case their problem was quality. There were consistent remarks in the reviews indicating that this particular author needed to stop publishing what they were publishing and probably take some craft classes or pay for an in depth critique.

(I should note here that there’s a difference between negative reviews that say “OMG, I read this book in a day and it was awesome but someone please get this person an editor” which actually indicates someone’s doing something right and should keep going and will probably do even better if they get that editor as long as the editor doesn’t destroy their voice, and “I had to quit halfway through because I got so sick and tired of the pages and pages of characters telling each other what had already happened” comment which indicates a craft issue.)

(By the way, this is not someone I know other than seeing them post online, so no one who knows me think this is about them.  I actually try not to look at my friends’ books unless they tell me they’re doing really well for this reason. I even avoid the books of people who comment here regularly.)

I think it’s healthy to stop and think about what you’re seeing in your own books. Not what the general trend is, but what you’re seeing. What are your reviews? What are your sales? Are things trending up? Are they trending down? Do you get fan mail?

And I think, too, that sometimes even when you’re doing well it’s worth taking a risk and trying something new. I know more than one author who has moved away from their initial genre to much greater success in a new genre.

There’s value to picking a direction and going in it (if I had done so earlier today I’d be writing the next thing already instead of this blog post), but there’s also value to stopping and adjusting and reassessing, too…

 

Excel, Word, and PPT Books Now in Hard Cover

Just a quick announcement to let you know that Excel for Beginners, Intermediate Excel, 50 Useful Excel Functions, 50 More Excel Functions, Excel Essentials, Word for Beginners, Intermediate Word, and PowerPoint for Beginners are all now available in a hard cover version.

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I have to say, I’m pretty excited about this one because the books feel much more substantial in hard cover than paperback. (That Excel Essentials one which combines the other four Excel titles into one book is a behemoth. It’s one inch thick and weighs two pounds! Who knew I had so much to say about Excel.)

The covers are case laminate so there might be a little denting at the edges like you can see on 50 More Excel Functions in the photo, but overall I was pretty impressed with them. And keep in mind with the skinnier ones that the spine text might be slightly off center because of print-on-demand variances, but it will be there on all of them.

They should be available on Amazon (here’s my author page for the U.S.) as well as Barnes & Noble and any other location where you can order print books.

IngramSpark Update

I thought I’d give a quick update on using IngramSpark. I haven’t been paid yet (and I don’t think I will be the first time until September which is kind of crazy), so until that happens I can’t declare myself fully satisfied, but so far I’m pleased.

One of the nice perks that came with using IngramSpark as opposed to KDP Print is that I had some additional format options.

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For example, I published the omnibus edition of Rider’s Revenge last year in ebook and was disappointed to find out at the time that I couldn’t do so in print because all three novels combined with the front and back matter adds up to about 1,122 pages.

Unfortunately, KDP Print maxes out at 828 pages for the size and paper I was using so a print version wasn’t an option. But IngramSpark will go up to 1,200 pages so I decided to go ahead and put out the trilogy in print as well.

It’s not as cheap as a trade publisher could do. That book you see in that photo is $29.95. But at least there’s now a print version for that series that’s more comparable to the print pricing for YA books published by traditional publishers.

It’s also fun to have on my shelf.

The other print format I’m pleased to have access to is hard cover. I’ve now put all of the Excel, Word, and PowerPoint Essentials titles out in a hard cover format in addition to their paperback format. (They’re slowly making their way to all the platforms. They look to have made it to Barnes & Noble at this point but not yet to Amazon.)

I have to say that I think I really prefer the hard cover versions for those particular books. They feel more substantial in hard cover than in paperback. It’s the exact same material, but there’s a definite perception difference between the two.

They aren’t flawless. There’s a little bending on the corners of some of the proof copies I received and I’m not 100% happy with the spine text placement with the skinnier ones. But overall, I’m pretty darned happy. And for a POD option, I have to say it’s not bad. Not bad at all.

I don’t expect to use hard cover for my other non-fiction that either are too skinny for it to make sense or that are in a size where I don’t think it works as well.

And I haven’t yet tried the non-case laminate hard cover option, which is what I’d want to use for fiction. (At this point I think doing so would just be a vanity project.)

But overall I’m excited by the additional formatting options and how they’ve turned out.

(I still don’t think the expense of going with IngramSpark is justified for someone just starting out unless they have access to free ISBNs through their country of residence, but it’s definitely something to consider when you have enough books to bring down the per-unit ISBN costs.)